Tag Archives: CWG
I have long thought of producing an ebook, thinking that it must be a relatively easy thing to do and I’m sure that it is. Certainly it would be to my grandchildren but I’m afraid an innate failing of mine being a short term attention span, which now coupled with practically zero short term memory for things that I rapidly lose interest in, is making it a difficult task. Do read with a very large element of acceptance of my ignorance on going digital Read more of this post
This week on Facebook: I thought that with Christmas approaching, a week of the viniferous might be appropriate be you a vinologist or simply vinose and without a tendency to vinolence. Did you know that there are actually wine days celebrated throughout the year? I don’t know them all but I’m sure that I don’t miss any. Read more of this post
Cryogenic Science Ltd was the UK subsidiary of DeepSleep Inc located in the USA and the only privately owned cryogenic facility in the UK. When DeepSleep filed for Chapter 11 bankruptcy the financial collapse of Cryogenic Science was inevitable, CS Ltd was put into administration with the subsequent investigations revealing massive financial and technical mismanagement within the company. No members of CS Ltd’s board of directors were arrested and despite the obvious malfeasance that occurred, the former Chief Executive Officer and his Head of Research at CS were both allowed to returned unhindered to the USA. The government funded the restructuring of the company and incorporated it into the Ministry of Life Enhancement, otherwise known as MOLE, replacing the former CEO with a government appointee who immediately ordered that an attempted resuscitation was to be made of all the bodies and brains cryogenically frozen at CS under the directions his new Head of Research Dr Bethany Volcker. Read more of this post
I’m not sure how to regard the lack of entries this month but although conscious that all things have a life cycle I would regret the demise of this group. I frequently use the word disparate when referring to it, which I think it apt and a good reason for belonging to the group. We are not all the same, either in the perceived quality of our writing or in the subjects we choose to write about in response to a theme. When I joined the group I felt that I should offer a critique of the stories and so I did some research on critiquing. Read more of this post
Sunday on Facebook: It is over two years since I wrote a piece to coincide with Banned Books Week in the USA. Rather than focus on books that are banned — particularly in the USA and the UK — I decided on two examples of books modified to satisfy a modern readership and one book as an allegory for internet censorship, which may pose an even greater threat to personal freedom. Finally making reference to how state censorship grows in proportion to the public’s access to information, the post itself being an indication of why internet freedom to publish material is so important.
This morning may not have been déjà vu exactly, rather a replay of a bad experience with coffee machines. Having discovered that my consumption of strong black coffee is not good for me, I decided to confine myself to one or perhaps two cups a day and put away my cafetière. No not a café owner that’s a cafetier as in cafeteria and not to be confused with cafetière (to the French, the Islington set and me, L’accent grave et l’accent aigu are important). This reminds me of one of my favourite German anecdotes about a colleague who confused Taube, the German for pigeon, with Traube which is German for grape, and asked a neighbour if he had lost a grape as an injured one had just flown into his garden. Read more of this post
Universal Channel (TV) has unveiled its new look and logo with the tagline ‘100% Characters’. I haven’t given it much thought until now, when I think that it’s really quite a clever tagline but one that could be applied to any story-telling genre. This perhaps begs the question of how characterizations and descriptive elements make a story come alive and the techniques for doing so, to which I don’t have a clear answer. However, I would be surprised at anyone getting pleasure from reading a story — either fictional, non-fictional or biographical — in which they did not make an emotional connection with the characterisations. The emotional nature of a character or place is usually described just enough to satisfy the moment and context, adding to an emotion compilation hopefully being created in the reader’s mind. Read more of this post
“So William, I beat you again!”
“Perhaps you should not brag so Georgina, when we are wed I may beat as often as I like.”
She hotly replied, “No man will ever beat me William Young, husband or not!”
Watching him as he unstrung his bow and started walking towards her, she immediately regretted her sharp-tongued reply. She remembered vividly her parents announcing her betrothal to him, the feeling of elation, the love for him. A feeling she had held from the very first moment they met, each time she looked at him love welled up inside her, so much that she thought her heart would burst.
As he approached her he said, “You are closer to the butt than me.”
“But always a better shot,” she replied. Read more of this post
2017 @ A.P. Herbert AI Albert Haddock Banks blog book books budget budget deficit C.S. Lewis censorship Civil Service constitution Crime CRT cryptocurrency CWG debt deficit democracy education ethics EU euro fiat money Film France freedom of expression free trade gdp government history human-rights inequality internet J.R.R. Tolkien J M Keynes language Law Ludwig Von Mises Margaret Thatcher morality music Musical national debt New Labour NHS opinion parody PFI poetry police Police & Crime Commissioners politics Quantitative Easing research school Screwtape Sir Ethelred Rutt K.C. social-media Social Welfare statistics T.E. Utley taxation terrorism Thatcher The Telegraph UK Unemployment USA Victor Hugo war war on terror
© Peter Barnett and Aasof’s Relections. Unauthorised use and/or duplication of this material without express and written permission from this site’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Aasof and Aasof’s reflections with appropriate and specific direction to the original content.